Art, reviews and thoughts from a young artist in Plymouth, UK.

Posts tagged ‘Exhibitions’

Plymouth Art Weekender 2017 – Day 1

Last year I documented what I saw of the Plymouth Art Weekender, an annual city-wide art event where different galleries and venues open up to the public with temporary art installations made by artists based in Plymouth and abroad. It takes place over three days, and there are lots of exhibitions and events to enjoy.  This year, as an official blogger for PAW, I will try to cover as many of this year’s art installations as I can!

Today, I was part of an art tour surrounding We The People Are The Work, a project that “will explore ideas of power, protest and the public” and involves exhibitions by five sets of international artists in five different venues.  Each project involves working with the public in some way.

People who want to view the exhibitions can visit them individually but the curator Simon Morrissey suggested it is best enjoyed as a tour, starting at Peninsula Arts, then Plymouth College of Art, on to Plymouth Arts Centre, then the Council House, and finally to KARST gallery.

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Image depicting brainstorming for We The People Are The Work (PenArts)

We did our tour in a slightly different order, but still began in Plymouth University’s Peninsula Arts (PenArts) gallery, with a video installation by artists Antonio Vega Macotela and Eduardo Thomas called Advice From a Caterpillar.  The artists are from Mexico City and when they were approached to create a piece for WTPATW they researched Plymouth and decided to do a piece collaborating with extras who had been in the Tim Burton film Alice in Wonderland.  The piece features locations which appeared in the movie or that the actors wanted to talk about.

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Advice From A Caterpillar (PenArts)

Peninsula Arts also has the first of two big black walls called We The People Are The Words which the public are encouraged to write words or doodle on using the provided chalk.

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Cat doodle I drew with chalk in PenArts

We moved on to the second part of our tour, an exhibition in Plymouth Arts Centre (PAC) by Ciara Phillips.  The space has been transformed with new colours, shapes and patterns on the walls and large prints everywhere.

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View of the cafe area in PAC from the ground floor

 

Parts of the gallery have been turned into workspaces with a darkroom, screen printing area, and a relaxing space for reading.  Every week new work will be created here by different groups of people working with Ciara, and that work will be added to the display changing the space over time, until the show ends in November.

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A higher view, this time of the same two prints and a small printing workshop (PAC)

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Screenprinted artwork (PAC)

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A small tent, as part of an art piece about anxieties and peace (PAC)

The second big black wall and chalk set is at Plymouth Arts Centre, and I drew another cat.

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My cat in PAC

We moved on to the Council House which is not usually open to the public because it is still a working building, but the city museum have been negotiating with the council to be able to use it while the museum is being remodelled.  The piece here has been planned by artist Peter Liversidge.  Peter started with doing text generating projects with different members of the public, and the pieces of text were reviewed by the council (to check for anything “problematic”) then compiled into a large book.

The gallery space is taken up with a large white stage where every day two or three sign painters will take requests from visitors, who can choose any piece of text from the book, and create big cardboard signs from them.

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Sign painters painting and assembling signs (Council House)

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Signs painted with the word “nothingness” on top of a cabinet (Council House)

On the way to the next exhibition, we stopped to look at the billboards outside the Council House for the #AtlanticProject.  These bring up questions about what it means to be a good neighbour.

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My favourite of the “Good Neighbour” billboard series

We moved on to KARST for the next WTPATW exhibition.  The artists here are a feminist collective called Claire Fontaine.  As soon as the door opened we smelled burning and smoke.  The first piece here is a huge arrangement of thousands of matches set in the shape of the United Kingdom.  Students from Plymouth College of Art took five days to place the 58500+ matches, and they were set alight on Thursday evening.  The whole place filled up with smoke and parts of the gallery have actually been burned and melted by the process, which was documented.

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View of Claire Fontaine’s piece from a small hole cut out of a doorway (KARST)

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Burned matches in Claire Fontaine’s piece (KARST)

The second room is completely filled with red light and here there are neon signs, some of which are animated and seem to respond to each other.

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A scary message in the second room of Claire Fontaine’s exhibition (KARST)

On the way to the last exhibition we passed by another PAW art piece, The Truth Wall.  This features political letterpress prints by Kiss & Bite Letterpress Studio.

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The Truth Wall

The last stop on our tour was Plymouth College of Art (PCA).  In the gallery here is a film and sound installation by Matt Stokes.  This piece looks at DIY culture and how live music venues are disappearing locally.  Four local independent bands are filmed playing their music live at the locations of once iconic, but now closed, music venues.

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The Bus Station Loonies performing at Plymouth’s recently closed bus station (PCA)

 

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Suck My Culture performing in a flat on the site of the old Van Dike Club

Tomorrow I will be going to The Plymouth Athenaeum to take part in PAW myself at the YEA Plymouth table.  We will be giving away free copies of our collaborative zine YEA ’17 which features work by ten young artists aged 11-16.  This is a Plymouth Art Weekender project and our first big project together.  We will also be selling zines by YEA Plymouth members and badges to raise money for future projects together.

You can find out more about these events and exhibitions online on the Plymouth Art Weekender website.

These are my posts from last year’s PAW event:

Plymouth Art Weekender 2016 – Day 1

Plymouth Art Weekender 2016 – Day 2 – Part 1

Plymouth Art Weekender 2016 – Day 2 – Part 2

Plymouth Art Weekender 2016 – Day 2 – Part 3

Plymouth Art Weekender 2016 – Day 3

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NatSatClub Summer Show 2017

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Last year I was a member of the National Saturday Art and Design Club at Plymouth College of Art.  We got to experiment with different media and artforms throughout the year, and take trips to local exhibitions as well as two trips to London for bigger NatSatClub shows featuring our work alongside work made by other groups.

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It was really early so at the services I grabbed an iced coffee..

Our final trip to London was on the 17th of June.  We met up really early to catch our coach just after 6am so we could get to the exhibition at Somerset House around 11am.  It was really busy as hundreds of young people from NatSatClubs around the country had come to see their work on display.  We were greeted and each given goody bags of art supplies, water, and snacks, and shown in to the first area where all the Masterclass work was on display.  Our Masterclass was in making word drawings with Barnaby Barford.

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Plymouth College of Art’s NatSatClub word drawings done in a Masterclass with Barnaby Barford

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Next we went upstairs and had a look around the different clubs’ work.  Plymouth sent in a lot of our work, and the pieces that were chosen for display were our beach glass jewellery, and our glass houses which we made in a class led by our Student Ambassador Ben Lintell.

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Some of the members from Plymouth College of Art National Art & Design Saturday Club 2016-17 stood next to our display at Somerset House.

This video shows our glass houses lit from below with a torch to cast shadows on the white wall.

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My glass house – the design is based on my home and it was etched by sandblasting

 

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Our beach glass jewellery on display

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My piece of jewellery is the one in the centre.  I found a piece of glass and transferred an image  lighthouse onto the back of it, then encased it in silver.

We were all called into a large room filled with benches for a speech by the National Saturday Club founders, Lord and Lady Sorrell.  Then we were called up one by one and received our Certificates and Yearbooks.

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The Plymouth NatSatClub group holding our Certificates

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A sneaky picture at the podium when noone was looking..

After the ceremony some of our group went to the National Portrait Gallery, but I stayed to look around the exhibition for a while longer.  There was a huge amount of different types of work on display by young people from the many clubs, including zines, puppets, film, fashion and ceramics.

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The first projects of our year were self portraits.  We saw these on display on our previous visit to London but smaller versions had been put together into these huge wall displays.

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Self portraits from NatSatClub members

At the end of the day, we met up with the rest of the group to get back to the coach.  Unfortunately, the coach had overheated (it was a really hot day!) and was broken down, leaving us stranded in London!  Our group leaders brought us all water to drink and we took a walk around Covent Garden watching a clown and looking in the Moomin shop.  The coach was fixed in an hour or so, and we headed back on the five hour journey home.

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Me at Somerset House

I was sad that some of the work I was most proud of from our many projects wasn’t put on display, but I hope to be able to put photos up of those pieces here soon, and I did have a really good day.   It was really amazing seeing so much work from young artists all in one place and I was really inspired by all that I saw.  I would recommend joining the group to anyone aged from 14 to 16 who likes art and really wants to try different things.

Below are some photos of work from National Saturday Clubs all around the country.  I have included lots here so that people who didn’t get to go on the trip can still enjoy some of the work we saw.

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There was a “We Want To Be Heard” banner above the exhibition

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Work from Cornwall College

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Work from Cornwall College

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Work from Cornwall College

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Work from Cornwall College

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Work from Cornwall College

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Zines from Kingston University, London

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Work from Cleveland College of Art and Design

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Work from Cleveland College of Art and Design

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Work from Cleveland College of Art and Design

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Work from University of West London

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Work from University of West London

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Work from University of West London

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Work from University of West London

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Work from Standpoint (a collaborative Masterclass between Ravensbourne and Greater Brighton Metropolitan College)

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Work from Cove Park

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Work from Ravensbourne

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Work from Ravensbourne

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Work from Ravensbourne

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Work from Ravensbourne

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Work from Bradford School of Art

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Work from Nottingham Trent University

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Work from Highbury College

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Work from Highbury College

 

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Work from Havering College of Further & Higher Education

 

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Work from University of Huddersfield

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Work from Coleg Sir Gâr

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Work from Bolton School of the Arts

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Work from Bolton School of the Arts

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Work from Banbury and Bicester College

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Work from Banbury and Bicester College

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Work from Banbury and Bicester College

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Work from Greater Brighton Metropolitan College

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Work from Cambridge School of Art

 

 

 

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Work from Cambridge School of Art

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Work from Cambridge School of Art

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Work from East Coast College and Time and Tide Museum

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Work from Goldsmiths

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A frame from an animation by University of Westminster NatSatClub

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Zines by University of the Arts London

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Work by University of the Arts London

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Work by University of the Arts London

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Work by University of the Arts London

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Zines by University of the Arts London

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Work by University of the Arts London

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Work by Grimsby Institute

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Work by Victoria and Albert Museum

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Work by Victoria and Albert Museum

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Work by Victoria and Albert Museum

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Work by University of the Arts London

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Work by Cleveland College of Art & Design

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Work by Cleveland College of Art & Design

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Work by Cleveland College of Art & Design

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Work by Cranford Community College

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Work by Cranford Community College

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Work by Hull School of Art and Design

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Work by Hull School of Art and Design

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Work by Hull School of Art and Design

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Work by Hull School of Art and Design

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Work by University for the Creative Arts Rochester

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Work by University for the Creative Arts Rochester

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Work by University for the Creative Arts Farnham

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Robots made by University of Westminster National Science & Engineering Club

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Work by Kingston University London National Science and Engineering Club

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Work by Ravensbourne Science & Engineering Club

Here are some links to previous posts I have written about NatSatClub:

National Saturday Club Part 1

NA&DSC London Trip

NatSatClub Devon Dialect Project

 

 

Illustration at the Plymouth University Graduate Show 2017 – Part 5

This is my last post on the Plymouth Uni BA (Hons) Illustration show, previous posts are here: Part 1, Part 2, Part 3, Part 4.  This post features eight more of the artists who had work on display at the show.

Natalia Pątkiewicz (Instagram) takes inspiration from fantasy and sci-fi themes to design characters, environments and worlds to illustrate short stories and games.  Natalia thoroughly explores her ideas about a character’s background, story, costume and expression.

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Visual Development of Fables for Robots by S. Lem – Character Design by Natalia Pątkiewicz

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Visual Development of Fables for Robots by S. Lem – Character Design by Natalia Pątkiewicz

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‘Failures of Felix’ – Game art by Natalia Pątkiewicz

Failures of Felix was one of the game jam projects from a jam I participated in locally.  The jam only went on over 48 hours but Natalia still made time to take a lot of care over her character design and his background story.

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Story ideas for Felix – Personal sketchbook work by Natalia Pątkiewicz

Natalia’s sketchbooks were fascinating to look through and alongside her sketches they contain written story and character ideas, as well as her research notes.  As a young illustrator, being able to look at some of the artists’ sketchbooks is one of the biggest benefits of going to the Graduate Shows.  On the wall above Natalia’s sketchbooks were prints of some of her Daily Speedpainting Studies which each took between 30 minutes and 1 1/2 hours.

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Sketchbooks by Natalia Pątkiewicz on display under her Daily Speedpainting Studies

James Robinson (Instagram) specialises in portrait and editorial illustration.  I like his work’s cartoony, yet carefully detailed style. The contrasted colours give a great impression of opposite sides or enemies.

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Film Poster for King Arthur: The Legend of the Sword by James Robinson

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Trump Vs Clinton – Illustration by James Robinson

Darius Gilbey is an editorial designer inspired by music, politics, and science.  His Plymtek Poster design reminds me of sailor-style tattoo designs and graffiti art.  I like how bunched up the main illustration is.

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Plymtek Poster by Darius Gilbey

Another piece on display by Darius, titled Visual Metaphor and Editorial design, has a soft and warm feeling to it because of the airbrush style of shading and highlighting and the colours chosen.  I like the way that the bright illuminated colours bring your eyes to the centre of the picture.

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Visual Metaphor and Editorial design by Darius Gilbey

Calum Hanchett specialises in caricature illustration and often incorporates humour into his work.   I really like the oil painting style of his caricatures and how carefully detailed they are.

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Political Caricature by Calum Hanchett

Calum’s piece INK Journal illustration on the theme of Night reminds me of the natural environments in Studio Ghibli movies like Princess Mononoke, the long winding branches or vines give it a mystical feeling and I can imagine hidden creatures just out of sight.

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INK Journal illustration on the theme of Night by Calum Hanchett

Amber Dunsford (Instagram) specialises in editorial illustration based around and inspired by genetics.  Her illustrations on display had a muted colour scheme, and she uses collage and print in her work.

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Editorial Illustration for New Scientist by Amber Dunsford

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Fruitflies and Neurons – Editorial illustration by Amber Dunsford

Jonathan Brimble is an illustrator who strives to produce atmospheric work based around moving narratives.  I like his unsettling and dark imagery, and parts of his teaser trailer for Wake Unto Me make me think of Tim Burton movies.

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Wake Unto Me – Conceptual design for a narrative game by Jonathan Brimble

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Digital art by Jonathan Brimble

Jordan Sales (Instagram) is inspired by the natural world and monsters.  His creature designs are really imaginative, and some of the monsters look like they would be in a fantasy or horror video game.

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Gods and Monsters of the Cthulhu Mythos – Illustration work for a zine by Jordan Sales

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Gods and Monsters of the Cthulhu Mythos – Illustration work for a zine by Jordan Sales

Adam Martin’s (Instagram) work is very much inspired by fantasy themes, and takes comfort in the relationship between fantasy and reality.  I really like the moody style in his work.

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Illustration work by Adam Martin

Below is the full list of exhibiting students at the Plymouth University Illustration show.  I really enjoyed the exhibition and look forward to next year’s.

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List of exhibiting students at The Plymouth University BA Illustration Show 2017

Uptown Junk at Studio 102

Yesterday I visited Studio 102 to view its new exhibition, Uptown Junk.  Studio 102 is an art gallery and shop with studios above supporting emerging artists in Plymouth and it is based on Vauxhall Street.

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Illustration incorporating upcyled plastic by Adrian Bishop

Uptown Junk is the current exhibition at Studio 102.  The exhibition showcases “upcycled and innovative artwork from the local community” and the pieces are being auctioned to raise money for the marine conservation society.  This piece by Adrian Bishop draws attention to the danger to living creatures caused by dumping plastics in the ocean.

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Beautiffly Twisted by Marcus Crandon

This piece by Marcus Crandon is a slimy looking skull tangled with what seems to be real hair.  It looks like the rotted remains of a pirate sentenced to death for his crimes…

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Artwork by Ryan Arthurs

I think these mutated characters by Ryan Arthurs are intended to make us consider the impact pollution has on the environment and living creatures, including ourselves.

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Artwork by Ryan Arthurs

I really like the colours and scratched away effect on these pieces, also by Ryan Arthurs.

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Upcycled fashion by Mariana Lopez

This hat and bowtie by Mariana Lopez are upcycled from marine debris washed up in Cornwall.  In 1997 a ship containing tonnes of lego pieces sank off the coast of Cornwall, pieces are still being washed up today.  I visited Liskeard & District Museum earlier this year and enjoyed their Plastic Age exhibition about plastics dumped in the ocean where they have collected lots of these lego pieces and other toys.

Uptown Junk is on throughout this week (until the 26th) Monday to Friday, 12-6pm at Studio 102.  If any of the artists above would like me to add more information or links please get in touch with me @midnakit on instagram.

 

 

 

 

 

Plymouth University Illustration Years One and Two Show at RWY

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Poster for the Plymouth University Illustration Years One and Two Show 2017.

On Friday I went to the Opening event for the Plymouth University Illustration Years One and Two Show at Victuals Cafe at Royal William Yard.  The artworks are printed onto long strips of paper hung from the ceiling in double-sided rows so you can walk up and down between them like alleyways of artwork.  I met several of the illustrators whose work is on display and saw a lot of different styles of work.

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Illustration by Isabelle Hobbs

Isabelle Hobbs is a second year student and she says she usually works on till rolls to make long streams of art.  She told me she focuses on drawing women and their faces, hair and outfits and said “subconsciously I think I draw myself a lot”.  She said that for her “doodling is a natural process, like breathing”.  I like how in some areas Isabelle puts in lots of detail but in other areas her drawing is really simple.

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Jennie Scampton’s comic illustrated inside a sarcophagus.  In the background are illustrations on the glass window by Isabelle Hobbs.

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Detail from Jennie Scampton’s comic

Jennie Scampton‘s piece was for a project on narrative sequence and is the first comic she has made.   She said “I love anything to do with legends, myths and history” and so she chose to draw her comic about the Egyptian Gods onto a real papyrus scroll and within the shape of a sarcophagus.  Jennie’s comic is really cleverly done and the story is very funny.

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Psychotropics by Seren Pascoe-Davies

Seren Pascoe-Davies’ said she did her colourful piece Psychotropics on the theme of Visions.  She drew the line art on A3 paper then added colour using a tablet and Photoshop.  I like the colours she has chosen which work really well together and her curly line work.  The piece feels very dreamlike.

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Illustration by Iona Desouza

Iona Desouza told me that she is interested in rural traditions and “things being lost”.  I like how this illustration is quite busy with layers of pencil drawn objects on top of each other.

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Comic by Keir Nicholson

Keir Nicholson‘s comic focuses on a character called Steve the Robot.  Keir described how in his comic Steve goes to work on a normal day but that “his day takes a turn for the worst” and that the story “is about how terrorism can strike at any time”.  I like the limited colour palette Keir has chosen to use and his cute character.

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Illustration by Sophie Mahadevan

Sophie Mahadevan has two pieces on display.  She described the process of making this print to me, and it is a complicated process involving etching on to a copper plate then dipping the plate into acid multiple times to create layers of depth and make the print look three-dimensional.  She said she had never tried this before and she really enjoyed how the first year of her course was very experimental.  I think the tones of blue used in this make the piece seem melancholy.

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Illustration by Chloe Drage

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Detail from Chloe Drage’s illustration

Chloe Drage‘s piece on display is very peaceful and she told me that her goal was to “use nature to tackle depression”.  She usually works in pencil and said “I don’t usually work digitally, so I stepped out of my comfort zone” when working on this piece.  This was my favourite piece in the exhibition and I think this piece would be great concept art for the opening of a video game.  It is calm but mysterious, I wonder if she is a tiny girl on normal sized lily pads or a normal sized girl in a world of giants.

This exhibition is on until the 22nd of May and anyone interested in illustration or what young artists are making in Plymouth should try to go along and see it themselves.  I want to thank all of the artists above for speaking to me about their work. Thank you also to John Kilburn and Ashley Potter who spoke to me about the exhibition and are Plymouth University BA Hons Illustration tutors.

Some of the other pieces I enjoyed at the exhibition are pictured below but unfortunately I didn’t get to meet these artists.  I would be happy to add credit for the art and a link to all of the artists in my photographs below, just contact me and I will edit my post 😀

Edited to add:  The illustrations below are by Plymouth University students Daniele Caruso, Elise Arden-Trew, Sophie Evans, and Millicent Venton.

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Illustration by Daniele Caruso

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Character by Elise Arden-Trew

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Comic by Sophie Evans

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Illustration by a Plymouth University student

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Illustration by Daniele Caruso

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Illustration by Millicent Venton

 

 

Here and Now Exhibition

On the 30th April I visited the final part of the four Home Grown exhibitions held at Ocean Studios which was called Here And Now.  The artists who took part in this exhibition are graduates from Plymouth University and hold studio residencies in Ocean Studios.

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Kieran Walsh – Things On The Coffee Table

I really like the ink splatters in this piece by Kieran Walsh, they help make the piece seem alive.  I think we could all see different things in this painting, as the shapes of the objects are ambiguous.  I see a jug, coffee stains, a toy train track..  Because I might be the only person to see exactly these objects the piece seems really personal and as if it is telling me a secret.

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Fi Smart – Work In Progress: Children’s Book page

This is a page from an unfinished children’s book that Fi Smart has been working on.  The way the dog’s silhouette passes over the drawing of a house works really well and makes the page seem three-dimensional.

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Fi Smart – Work In Progress: Collage

These are some of the pieces of art Fi has made for a children’s book.  Fi’s paper dogs look delicate compared to her illustrations on slabs of cooked clay.  I recognised some of the places on the clay because they are inspired by locations around Royal William Yard.

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Kieran Walsh – Life Drawing 1

This charcoal drawing by Kieran Walsh is huge.  In some places it has been shaded and drawn carefully but in others the lines are jagged and free.  The drawing looks misty and has a mysterious feel to it.

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Close up of Joe Allen’s Baby

This is a close up of Joe Allen’s painting Baby where the artist has applied paint thickly without mixing it, giving the painting a cool marbled and 3D effect.

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Joe Allen – Baby

This is the full version of Joe Allen’s painting.  I could make out different objects and living beings as I studied this painting, it looks like a familiar family setting.  There is something messy and chaotic I like about the painting because it makes it very real and relatable (I have a toddler sister at home!)

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Fi Smart – Reclamation

I really love this piece by Fi Smart.  The huge fracture down the middle makes the clay illustration feel aged and broken but the vines “growing” through it are filling the gaps and binding it back together.  I noticed that in several of Fi’s pieces parts of the artwork (like the vines and the paper dogs) seem to be escaping or outside of the boundaries of her background illustrations and I might try to experiment with this myself.

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Paige Barnard – Momento

This glazed clay bowl by Paige Barnard reminded me of sweet sauce running over a cake.  It looks like a puddle of rain or glossy icing or the top of a jellyfish.

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Paige Barnard – Momento

I like the colours and shapes that Paige Barnard used for her Momento set.  The pastel blues and greens felt friendly, and the splatters and uneven glazes feel alive.  On the bottom right is a tall and thin vase that looks as if parts had been poked, pushed, or squeezed.  The pieces feel playful.

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Carly Seller – Ensos drawings

Carly Seller’s work during her residency at Ocean Studies has led her to “an investigation of circular forms”.  Her pieces on display include photographs, still images from an unfinished film, and drawings.  These Ensos drawings are interesting because they are circles of so many different sizes and patterns and no two are exactly the same.

The Home Grown month of exhibitions was really interesting and introduced me to art forms that I hadn’t really seen or thought about before.  I have been inspired especially by Fi Smart’s work as an illustrator (and I got to meet and talk to her at this event) and I am going to try making my own illustrations that move outside of the page or frame, and also I want to try making my own storyboxes (she has some on display in the Ocean Studios Gallery shop and I wrote about them here).  I also found Alan Qualtrough’s letterpress prints really striking and inspiring and would like to try that form of art myself too.

The current exhibition at Ocean Studios is BAFA17 which is a display of work by second year Fine Art Students at Plymouth University, on until the 15th of May.

Radius: 50mi at Ocean Studios

Last week I went to the third Home Grown exhibition at Ocean Studios, called Radius: 50mi featuring “contemporary jewellery and small scale metal artefacts”.  Multiple artists contributed to the exhibition.

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Necklace by Jodie Hansen

Jodie Hansen’s inspiration comes from nature and local scenery.  Her jewellery has a fragile, unique, and slightly eerie quality that is beguiling.

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Necklace by Tracey Falvey

Tracey Falvey’s inspiration is “drawn from sculptural and architectural structures” and she uses recycled silver.  I really liked the contrast between the dark or silver outside and the bright colours painted on the inside.

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Earrings by Maria Whetman

Maria Whetman’s jewellery uses clusters of hand-made jewels and shards of silver.  Her work seems dark and opulent.

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Jewellery by Rachel Darbourne

Rachel Darbourne “lovingly murders” cuddly toys and makes jewellery from the pieces.  Her work is grisly, playful, and highly peculiar.  I was lucky enough to meet Rachel at the Ocean Studios Open Day during last year’s Weekender.

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Artefact by Noah Taylor

Noah Taylor has a love of “things”.  He deconstructs objects made from brass, bronze, and copper,  then puts them back together to create new artefacts.  The finished products have an abundance of life and character, and remind me of the creatures in the film Return to Oz.

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Necklace by Stacey West

Stacey West’s award winning jewellery is inspired by found treasures and “the raw organic Cornwall coastline and rugged landscape”.  Her collection “Interlocking Strata” is tactile and interactive and encourages the wearer to play with their jewellery.

 

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Necklace by Katy Luxton

Katy Luxton is inspired by “mathematical models, geometric shapes, and the interwoven curves, circles and figures produced by a spirograph”.  She incorporates 3D printing and hand-dyeing to make colourful and exciting jewellery.

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Jewellery by Chloe O’Brien

Chloe O’Brien is inspired by discarded postcards “capturing this gentleness of the past to reflect and honor the beauty of these traditional forms of language, communication and handwriting”.  She cuts and reforms vintage postcards and postage stamps to look like precious stones.

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Jewellery by Peter Reeves

Peter Reeves is inspired by organic textures including tree bark and beehives.  I really liked his beehive ring which has a pattern of interlocking hexagons with a tiny silver bee crawling over.

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Jewellery by Victoria Sewart

Victoria Sewart’s inspirations for her work on display are “the aesthetics of form, structure and material composition” and the collection “investigates the properties of stainless steel mesh”.  Her jewellery looks like gold and silver ribbons trapped in time and movement.

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Jewellery by Nicola Hurst

Nicola Hurst’s inspiration comes from “architecture, simple shapes and everyday living”. Her work uses intersecting shapes and I think they resemble ancient symbols.

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Artwork by Sam Photic

Sam Photic is inspired by “the isolated Devonshire landscape and the continued encroachment of society upon it”.  His pieces of abstract work on display are metal squares and circles bolted together with strips of colour.  I think the central piece in my photo could make a striking album cover.

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Rings by Leigh Mason

Leigh Mason “references form, scale, texture and colour”. and her work has been featured in Vogue magazine.  I liked her unusual square-shaped rings with oversized pastel coloured gems.

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Jewellery by Ana Simoes

Ana Simoes is inspired by “the richness of Ana’s home country’s history, landscape and architecture, particularly by its connection to the sea and the unknown”.  Some of the work she had displayed looked like tiny planets and moons.

I really enjoyed this exhibition which was filled with so many different types of jewellery from local artists.  I am currently working on making jewellery with found seaglass and recycled silver with my National Saturday Art and Design Club at PCA led by my tutor Kate Marshall and this exhibition has given me lots of inspiration.

Read my post about Week 1 of the Home Grown exhibition here

Read my post about Week 2 of the Home Grown exhibition here

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