On Sunday 10th December I had a table at Give Up Your Day Job, which is a D.I.Y. art fair “and punk rock flea market kinda thing” held at The Junction, Plymouth. This event is really focused on Plymouth’s indie and punk makers, with stalls selling t-shirts, zines, embroidered items, ceramics, cards, prints, and lots more.
I like this event a lot, the diy giveupcommunity seems really close and friendly and there was a great atmosphere all day. Dan of Il Pleut Screenprinting and South Coast Rats, who was one of the organisers of the event, came over and gave me a copy of this zine, full of photography and collage, which made me feel very welcome. There was even a stall selling fresh homemade vegan cakes and snacks where my brother got a chocolate brownie which he says was really good.
I was offered the opportunity to exchange art with my table neighbour Jasmin Griffiths which I was pleased about as her embroidered t-shirts are really cool. I like her sweet but sour minimalistic designs.
My neighbour on my other side was Paige Nicholas, an illustrator who draws punk inspired portraits, and I got a copy of her zine.
Rachel Hall is a Bristol based illustrator who makes prints based on lyrics, space and science fiction. I thought her postcards based on Star Wars and The X-Files were adorable and quirky.
My dad was helping me out on my stall, but I only live around the corner from The Junction so the rest of my family also came down for a visit. My mum bought herself a book from Blind Spot Distro, who specialise in vintage sci-fi and fantasy, which she was quite pleased about.
I took my badge maker with me so visitors could create their own badges, here are the ones I managed to get photos of. The top left one is one of mine.
This was my second time at Give Up Your Day Job, but my first as a table holder. I came earlier this year and met Max from Shake Bristol and Lize Meddings from The Sad Ghost Club, so I felt proud to be able to take part myself this time. It is a really chilled out event, small in size, big in heart and full of independent and alternative local makers. Watch their Instagram for details of the next one!
Last Sunday I went to Ocean Studios for the Illuminate 2017 festival. Local artist Rosie Drake-Knight of Native Makers led a workshop on making a reflective heat transfer vinyl t-shirt and I was able to have a go.
First I had to sketch out a design. I chose the Junkrat symbol from Overwatch which is one of my favourite games.
Next I copied my sketch on to the back (the matt side) of a reflective vinyl sheet, with the design reversed.
I cut out the individual pieces and arranged them on the t-shirt shiny side up.
Rosie worked the heat press for safety reasons. She had to hold it down for a short time. The heat press has a heated plate on the bottom and the top, so it is like being sandwiched between two irons. Apparently you can use a dry iron instead to do this at home.
The last stage was to peel the shiny plastic off the top of the design. Underneath was the reflective design permanently sealed to the t-shirt fabric.
Here I am wearing my new t-shirt! I have hand painted and stencilled t-shirts before and this seemed to take less time and was a much easier process (as long as you’re only using one colour and the design is simple, like this one). Here is how the reflective vinyl looks using flash photography:
I am going to research using an iron to do heat transfer vinyl to see if I can make more things at home. The heat press was actually borrowed from my college so I am also going to see if I can access it or maybe one of my tutors would let us use it one day.
I had a look around some more of the work on display for Illuminate 2017 at Royal William Yard. It was really impressive, there were light shows and huge animations projected on the buildings.
There was a DJ playing music to match the beats of the show on the walls. It was a freezing cold late November evening but the atmosphere was upbeat and exciting.
Inside Ocean Studios was this Ray Of Light installation by Paige Alexander. This was my favourite piece on display and it is made from ultraviolet string that glows different colours under ultraviolet light.
Illuminate is an annual event to commemorate the sailing of the Mayflower nearly 400 years ago. There will be lots of other events happening in Plymouth over the next few years linking up to the Mayflower celebrations and I’ll try and visit as many as I can.
My local art shop, The Art Side, opened a competition last month to find the new design for their shopping tote bags. After finding out all of the details I needed and what my limitations were, I drew some sketches for different ideas, mostly based around art supplies and local landmarks. From those sketches I chose to do a selection of artists materials because (a) their previous bag (by Diana Mazuru Hooper) was illustrated with a picture of Plymouth’s beloved turtle Snorkel so I didn’t want to do a lesser local-based idea and (b) because I’m always looking for accessories that are decorated with illustrations based on illustration as a topic.
Because I wanted to do illustration as the theme, I thought it would be great to use a hand-drawn rather than clean digital style. I drew lots (and I mean lots) of different individual materials, from spray cans and markers to sharpeners, erasers, paints and glue. Then I scanned and cleaned up my images a little, keeping the sketchy style. I played with my images and came up with different compositions, sketching thumbnails as I went along to find balance and a good assortment of items.
Finally I found an arrangement I was happy with, and I entered it into the competition. I waited for the results with excitement and nerves and guess what? I WON! (Slight spoiler in the title there..)
My prize, as well as being the designer of the shop’s new bags and getting to see my work being carried around by people (and I will definitely get one for myself!) was a Daler-Rowney Screenprinting kit. I have tried screenprinting before at a short Saturday Art & Design Club workshop and have wanted the chance to try it properly by myself for a while, and now I can play with my kit at home and learn more about the process.
I have also been wanting to get some of my designs screenprinted for a while but haven’t had the money to do it, so now I can practice and make test versions at home which will help me to make better decisions about whether to get any designs printed professionally. I have tried lino printing on bags before but the results didn’t last well through washing, unfortunately. Now I just need a couple of days in a row free to play with my new kit..
There are lots of small metal creatures in birdcages hanging from a fabric forest.
Most of the creatures are asleep but some are awake and waiting to be talked to.
Every creature has unique features, some have beaks, some have antlers, others have big cat ears or spiky ears.
There is a comfy sofa and some books so you can sit and read aloud to the creatures to make them happy. Sometimes, the creatures will sing..
This exhibition was adorable but also sad because of the context. It has been created and curated by a small group of young people who are in foster care, working with curators and artists from Effervescent. The exhibition is intended to make us think about issues around foster caring and how children in foster care are maybe seen by other people and by themselves. It will probably give you a lump in your throat and it is one of the most moving exhibitions I have visited.
The singing happens once an hour, around the beginning of the hour. Get there a bit earlier than that to look around in quiet and read the exhibition materials. Sit on the sofa and read a book aloud to yourself and the creatures (I recommend The Melancholy Death Of Oyster Boy which I discovered there). Most importantly, wait to hear the creatures sing!
The exhibition will be on until the 25th November. I will be going back again and taking friends with me because I think this is an exhibition a lot of them will enjoy and it is a really thought-provoking and sweet experience.
Today my plan was to visit as many of the Plymouth Art Weekender events as possible before the festival ended. I wanted to make sure I took part in some of the different art workshops around Plymouth, so finding venues with workshops happening was my highest priority, and I had two boxes left of zines to take with me. I sat down with my family and we made a plan together.
Our first stop was Ocean Studios. I dropped off some YEA ’17 zines in the cafe area and had a look at the portrait exhibition U + ME = US by Jojo on the way to the Made In Plymouth Maker’s Table, where we created papier-mache people for a family sculpture. I haven’t worked with paper-mache much before, and though gluing layers and layers of paper over each other was messy and fiddly, I had a really good time. While I was there, lots of families and young children came and had a go at making the sculptures, and the atmosphere was friendly and active, but also relaxed. We left our paper people with there to be arranged later into the bigger sculpture.
I wanted to see Laura Edmunds’ drawing and sound exhibition A Soft Introduction upstairs, so I left the workshop early to check it out. I spoke to Laura and learned that the sounds had been recorded on very sensitive microphones placed around her body while she drew and painted her pieces. There was a circle of speakers and I stood in the centre to listen, the sounds were soothing and mysterious, and reminded me of the sea. On display were around 69 of Laura’s drawings, and she described drawing them as almost like making musical notation. I thought they looked like a visual representation of her subconscious train of thoughts, and the overall feeling was serene.
I made my way back downstairs to join Sue Lewry’s monoprinting workshop. I was given a small rectangular plate which I inked with a roller, then I arranged pieces of textured wallpaper, cardboard and other materials on top of it, and each piece I inked with a different colour. I placed it carefully for registration with a piece of paper on top then it was put through a rolling printing press. This workshop was more quick paced than the earlier one as lots of people were around the table using the inks and press, but it was still a lot of fun. I like monoprinting and would like to try incorporating it into my illustration work in the future.
I headed off from Ocean to my next destination which was to Plymouth School of Creative Arts (PSCA). I delivered the last box of YEA ’17 zines here, and went up the stairs to visit the exhibitions. First I looked at Three In One, an exhibition by Janet Sainsbury, Andy Coldrey, and Charlie O’Sullivan. Their art worked well together, and I liked Charlie’s sculpture of paper houses and paintings made on a long scroll of old book pages.
We then headed up to Janine Rook’s inkblot painting workshop. Janine was one of my art tutors during my first Saturday Arts Club at Plymouth College of Art, so it was good to see her again and tell her about my new college course. This workshop was also popular with families, and there was a big display of inkblot paintings from lots of children that had taken part as well as more paintings on all the flat surfaces around. I used pipettes to carefully place a small number of coloured ink drops on my paper and then folded it down the middle to create patterns. I learned that inkblot painting is called klecksography and enjoyed the peaceful atmosphere with even the smallest children very quietly concentrating on their pieces.
On the same floor as the inkblots was one of the highlights of the day, Funny Blind Date, an exhibition of collages sent to Plymouth from around the world that has been collected together by Object Recordings. Everything in the collection is an analogue collage, meaning it was put together physically using magazines, posters etc, and scissors and glue, rather than being produced digitally. There was work from eleven different artists and I was surprised how each one had a very different style and mood to their work. Some of the pieces were very humourous or witty, and others were more serious or political. I have never been to an exhibition of collages before and Funny Blind Date was inspirational, showing me that collage can be just as visually interesting and meaningful as drawing and painting.
I had to move on but I paid a quick visit to the Union Street Party just around the corner. It was smaller than previous years and the road hadn’t been closed off, but even the rain hadn’t stopped people gathering to play drums and dance. I was disappointed that I didn’t find any participatory art projects here this year as in previous years I have really enjoyed that element of the Party, but it was good to see that even in the rain Plymothians can have a good time!
I also stopped to have a look at Bouys and Girls by Mary Trapp in PSCA’s playground. This installation features wire and foam sculptures of children wearing lifejackets, suspended over water alongside orange buoys. It made me think of public information films, on first look the figures look like they are having fun, jumping or dancing, but as I spent more time looking at them they looked more like they were struggling against currents or trying to escape. I thought it was a really interesting piece of art and I would like to see where Mary takes it next, as she suggested that she would change the arrangement when she moves it to new locations.
My next stop was to the Park Bench Reader by Bram Thomas Arnold, who was going to read from Jurassic Park, but unfortunately my family made a mistake and went to the wrong location so I missed this event. I was disappointed as it sounded like a fun piece but I am going to look out for Bram’s future projects. I then went to the Athenaeum to take part in a zine workshop from Make Stuff/Drink Stuff, but unfortunately that had been cancelled! I think I need to pay more attention to messages on social media next year so I can keep up with the changes that can happen in a big event like the Art Weekender. Fortunately there were other things to do at the venue so I watched some of Rhys Morgan’s video and sound collage Platform, revisited the Handling Collection, and listened for a while to some poetry on stage (about pants!) for Tears In Rain. There was a real variety in the building!
I was feeling quite tired by now but I really wanted to see some more of the things on my list. I headed for Studio 102 which had a really interesting sounding exhibition in the PAW programme, I Don’t Believe Birmingham Exists by Adrian Bishop. I am really glad that I decided to keep going because as soon as I entered I felt energised by Adrian’s paintings. This is a collection of absurd beliefs illustrated in ink, and the paintings are colourful and energetic and got us all talking and really actively engaged by the work. Adrian’s exhibition is on until the 8th of October and I would recommend everyone interested in illustration or political and satirical artwork visits the gallery to experience it. (I only just realised I have seen work by Adrian at Studio 102 before and wrote about it here)
Our last stop was Plymouth Arts Centre as it was just around the corner and I wanted to have a better look at the Dwell installation upstairs. There was a peaceful tented area with cushions and books by Niamh Lily Wimperis, and a quiet and contemplative arrangement of a dresser with items on top where everything was painted white, by Megan Kathryn Heywood. I have a copy of their zine (also called Dwell) which I plan to read later.
I had another look around PAC which has been repainted for Ciara Phillips’ work which is ongoing and will be added to over the course of the exhibition. I plan to visit regularly to check on it and see how it grows as she works with local groups of people.
That is the end of my Weekender posts this year! I didn’t manage to get to all the things I wanted to, but some exhibitions are still available to visit so I will try to get to them. I wish the Weekender was on for longer, some of the things I missed but really wished I’d had a chance to get to were Rosie King’sG O N E (preserve us) and the Flameworks Open Day. I also missed Sketch 2017 at PCA but luckily that is on until 6th October so I will make sure I go before then.
I hope everyone else had as good a Weekender as me and I hope to get even more involved in PAW 2018!